But while Akhenaten was ‘officially’ discredited after his lifetime, his successors and the later dynasties couldn’t impeccably destroy his heritage. That is because, much like his radical thoughts on the Egyptian pantheon, the city of Amarna boasted revolutionary architecture. For example, most of the temples were constructed without any roofing, thus symbolically allowing the unobstructed passage of the effulgent rays of the solar deity on the worshipers inside. But even more importantly, many of these monumental structures were built with the use of standardized stone bricks known as Talatats (as opposed to the unwieldy huge blocks of stone). So while the city of Amarna was physically razed from face of the earth by the later ‘traditionalists’, its interesting architectural features have caught the attention of historians and archaeologists – thus unintentionally preserving the legacy of Akhenaten. To that end, the experts over at Archéovision have digitally reconstructed the royal city of Amarna with incredibly detailed 3D rendering techniques.
Given the lack of physical evidence pertaining to this ancient Egyptian city, the researchers made use of earlier done 2D reconstructions of Karnak. That is because the Talatats technique was already being used for this massive religious complex, located to the north of Thebes. In that regard, archaeologists have been able to salvage more than 12,000 Talatats from the Karnak site, and many of them still bore decorative inscriptions that adorned the walls of the temple. Furthermore, the researchers were also able to identify surviving steles from Amarna, and some of these objects depicted the spatial layout of the royal city. And lastly, the scientists were also aided by the contemporary temple iconography during Akhenaten’s reign. Their patterns differed considerably from the ‘traditional’ motifs – which allowed the experts to credibly hypothesize the appearances of the building. As Robert Vergnieux, former director of the Archéovision Laboratory (and steward of an ongoing Akhenaten exhibition in Bordeaux), said –
Under Akhenaten, temple iconography changed drastically. Until this point, it mainly showed scenes of the pharaoh and a divinity in a variety of religious situations. In the worship of Aten, the sun disk, the pharaoh gradually morphed into this single god and scenes of his own everyday life started to be represented on the walls of temples.In any case, the ambitious project in itself still has a long to go, especially since there are around 10,000 excavated Talatats waiting to be ‘put together’ from the Karnak foundations. And part of this huge endeavor might just be helped by a current crowdsourced platform that directly involves the public.
For more information, take a gander at Aton-Num.